Wednesday, 2 April 2014

SONG CHOICES SO FAR (POMO MIX TAPE)





1. TYGA - SWITCH LANES
2.  KIESZA - HIDEAWAY
3. CHRIS BROWN, TYGA & LIL WAYNE - LOYAL
4. ROUTE 94 - FORGET THE GIRL
5. ROUTE 94 - MY LOVE (FT. JESS GLYNNE)
6. DRAKE - TROPHIES
7. PUSHA T - SWEET SERENADE
8. KID INK - NO OPTION
9. FRENCH MONTANA - POP THAT
10. PUSHA T - NUMBERS ON THE BOARD
11. STORM QUEEN - LOOK RIGHT THROUGH (MK DUB III)
12. IT'S YOU (MK MIX)
13. CHILDISH GAMBINO - 3005
14. BEN PEARCE - WHAT I MIGHT DO
15. KATE NASH - FOUNDATIONS
16. DRAKE - CREW LOVE (FT. THE WEEKND)
17. ROBIN S - SHOW ME LOVE
18. RICK ROSS - RICH IS GANGSTA
19. LOTUS FLOWER (SBTRKT RMX)
20. TCHAMI - PROMESSES
20. FRANK OCEAN - LOST


TO BE CONTINUED...

POMO Mix Tape

POMO Mix Tape

The film director Allison Anders (Gas, Food Lodging, Mi Vida Loca, Grace Of My Heart) teaches a Rock n' Roll Film soundtrack class at UCSB (University of California, Santa Barbara). The student's final project is to create a soundtrack of his or her life on a mix tape or cd.

Your task is create a mix tape that is the heavily themed. You will be recontextualising the songs, both by placing them together and theming them under the title of your mix. You will be giving them a new or different meaning when you do this.



  • Decide on a theme and a suitable title.
  • Use music you 'own' (not a Soundcloud or Spotify playlist)
  • Embrace variety.
  • Make it flow as a listening experience.
  • Justify each track you choose OR justify as a complete compilation.
  • Be creative (this will link to the exam).
  • Upload to mega.co.nz (or equivalent) in MP3format only (no AAC or other file types) OR burn to CD/put it on a USB and i'll upload for you.
  • Make a cover image for your mix. This is an integral part of the presentation, so put some thought into it, make it the right size (12cm x 12cm) and make it look good.
  • Post the cover and tracklist and notes on your blogs.
DEADLINE: WEDNESDAY 9TH APRIL

Wednesday, 12 March 2014

1a Question



Describe the ways in which your production work was informed by research into real media texts and how your ability to use such research for production developed over time. [25]

Friday, 21 February 2014

KANYE WEST IS POSTMODERN

SAMPLED SONGS 
“On Sight,” produced by West and Daft Punk contains interpolations of “He’ll Give Us What We Really Need”, performed by Holy Name of Mary Choral Family.




“I Am a God” contains samples of “Forward Inna Dem Clothes”, written by Clifton Bailey III and H. Hart, and performed by Capleton; and samples of “Are Zindagi Hai Khel”, written by Anand Bakshi and Rahul Burman, and performed by Burman, Manna Dey, and Asha Bhosle.
“New Slaves” contains samples of “Gyöngyhajú lány”, written by Gábor Presser and Anna Adamis, and performed by Omega.
“I’m in It” contains samples of “Lately”, written by Vidal Davis, Carvin Haggins, Andre Harris, Kenny Lattimore, and Jill Scott, and performed by Lattimore.
“Blood on the Leaves” contains samples of “Strange Fruit”, written by Lewis Allan, and performed by Nina Simone; and samples of “R U Ready”, written by Ross Birchard and Lunice Pierre, and performed by TNGHT.

“Guilt Trip” contains interpolations of “Chief Rocka”, written by Keith Elam, Kevin Hansford, Dupre Kelly, Christopher Martin, Alterick Wardrick and Marlon Williams, and performed by Lords of the Underground; and samples of “Blocka” (Remix), written by Terrence Thornton and Tyree Pittman, and performed by Pusha Tfeaturing Travis Scott and Popcaan.

“Send It Up” contains samples of “Memories”, written by Anthony Moses Davis, Collin York and Lowell Dunbar, and performed by Beenie Man.
“Bound 2″ contains samples of “Aeroplane”, written by Norman Whiteside, and performed by Wee; samples of “Bound”, written by Bobby Massey and B. Duke, and performed by Ponderosa Twins Plus One; and samples of “Sweet Nothin’s”, performed by Brenda Lee.


EXAMPLE OF SAMPLE:

POSTMODERN ADVERTS



This Mars advert from 2012 can be seen as a postmodern advert. The advert simply doesn't show the reality of eating a MARS bar. This is because the advert is basically explaining to the audience that if you eat a MARS bar you will be full of confidence and can achieve anything in life. This is shown through the 'steward' watching a huge penalty shootout involving England who need a goalkeeper to finish the game, after eating the MARS bar the steward is full of confidence and decides to go in goal and win the team the game. There is evident emphasis on the confidence aspect of the advert because for the last penalty the keeper does a save known as a scorpion kick where he saves it with his feet by kicking them out over his head. Clearly in reality this save is even extremely difficult for a professional goalkeeper to pull of, emphasising that you can do anything if you eat a MARS bar. However in reality the chocolate will not have this affect at all, it really won't make a different to what chocolate bar you purchase, chocolate most likely won't have an effect on your personal traits, such as confidence. The advert also involves a lot of England stars, for example Scott Parker and Glenn Johnson, there involvement is important because their happy reaction to the steward saving the goal can suggest that eating Mars will also make you loved and famous. The advert stills runs now into 2014 because it has been a huge success.









KITKAT have also released a new advert in 2014 to advertise their chocolate bar. The advert is actually really interesting because it is completely unexpected for a chocolate bar advert, however it fits the theme and message they are trying to portray extremely well. It can be seen as postmodern because it uses elements of homage when filming the car chase. It is well filmed and looks professional like car chases in films etc. This keeps the audiences attention well, the humorous side is also good to watch and persuasive and POMO. Having police stop with bank robbers to 'take a break' and eat a KITKAT (kitkats motto) is something which would never, ever happen in real life, so similar to the MARS advert is it taking what is real out of the situation.